94% Moonrise Kingdom

All Critics (170) | Top Critics (41) | Fresh (159) | Rotten (10) | DVD (1)

Anderson never loses his core themes - young love, the need to escape, the bind and bluster of family. His "Kingdom" may not be large, but it is perfectly appointed.

Though undeniably smart and charming, "Moonrise Kingdom" loves itself the way the callow Holden Caulfield loves himself: unconditionally. Salinger understood the problem with that. Anderson may not.

The latest unadulterated delight from Wes Anderson, director of "Rushmore," "The Royal Tenenbaums" and "Fantastic Mr. Fox."

The usual complaints and caveats about Anderson - he's precious, his characters have no grounding in the real world - can be made about Moonrise Kingdom, but so what?

Anderson and his actors are able to convey more genuine feeling through these devices than most filmmakers can with more-traditional means.

One knock against some of Anderson's previous efforts is that they're too clever - so clever, in fact, that the humanity gets sucked out of them. That doesn't happen here.

Pure Joy. This film's heroes may be pint-sized but their emotions and dreams are larger than life.

My immediate response is that it's a masterpiece and the best film to come out so far this year.

The offbeat, pixilated universes created by writer/director Wes Anderson (Rushmore, The Royal Tenenbaums, Fantastic Mr. Fox) are an acquired taste.

It's hard to judge a movie as a movie when you want to live inside it.

Magical Moonrise a Romantic Delight.

Intermittently amusing, distinctive, not always easy to digest

Moonrise Kingdom left me thunderstruck. ... Anderson contrasts a world in disorder with a well-pitched campsite, where everything is in its right place.

Anderson's movies work best if they're about kids or cartoon animals.

Among the all-stars, Edward Norton made me repeatedly chuckle, and it's always a pleasure to see Bruce Willis when he's not operating in paycheck-whore mode.

A sweetly kooky ode to the intensity of young love. The movie balances broad comedy with occasionally surreal quirk, while still holding the emotional center.

The adults who are so desperate to return the kid fugitives to their care actually envy the children's freedom, irresponsibility and, yes, love -- in a word, their youth: The kingdom that makes exiles of us all.

The frustrating Anderson is improving, and he may one day shed the collegiate hipster aura that infuses his work.

The plot isn't as fetching as the presentation, starting with the tersely whimsical dialogue. There aren't punch lines for big laughs, but rather a seamless series of non sequiturs for smiles.

It's funny, it's touching, it's Anderson doing what he does better than he's ever done before.

Wonderfully inventive and entirely immersing.

The great thing about Wes Anderson, other than his fabulously childlike imagination, is his deep attention to the smallest details.

This isn't Wes Anderson's best effort by any stretch. However, any Anderson is better than no Anderson at all.

This film contains some of cinema history's best lightning strikes.

More Critic Reviews

Source: http://www.rottentomatoes.com/m/moonrise_kingdom/

one tree hill projectglass stock act new york auto show khalid sheikh mohammed masters par 3 gwen stefani